Sean Paul Murphy, Writer

Sean Paul Murphy, Writer
Sean Paul Murphy, Storyteller
Showing posts with label acting. Show all posts
Showing posts with label acting. Show all posts

Friday, July 12, 2019

The Sunday Cannons: Friends Become Flowers


Here's a fabulous curio from my past.

I have edited many music videos for my local musical heroes over the years, but The Sunday Cannons were the first group to call upon my acting skills in this video for their 1988 album Red to the Rind.

The Sunday Cannons featured two old friends of mine, Mike Lane and Ed Neenan. I knew Mike from high school.  We were both eccentrics from Archbishop Curley High School. I met Ed Neenan later in the film program at Towson University, then called Towson State University. I had no idea they knew each other or that either of them were in a band until I saw Mike Lane loading some amps into the studio at Towson's radio station with Ed. They told me they were in a band called The Click. They were going to record in the studio that evening.

Running across them proved very fortuitous. As I relate in my memoir, The Promise, or the Pros and Cons of Talking with God, I was at perhaps the low ebb of my life at the time after my break-up with my high school/college sweetheart. I was in a genuine suicidal funk. Soon after seeing them outside the station,  I was invited to a party thrown by Tom Brandau, another fellow student in the film program. Mike and Ed both attended the party. Near the end of the party, Mike and Ed took out their guitars and started playing Beatles songs. Every girl in the place gathered around them. Wow. I was impressed.

The guys invited to a gig they had at a bar in Towson the following week. The place was mostly empty but I was really impressed with The Click. They scattered some tasty originals in a mix of college radio hits. I was a movie guy. I did not follow contemporary music, aside from the Top 40 songs I picked up via osmosis. They gave me my first exposure to folks like Elvis Costello and Nick Lowe.

At the break, I approached Mike to discuss the affect he and Ed had on the girls at the party once they took out their guitars. I asked Mike if any guy could get any girl if he played the guitar. He looked around the empty bar before turning back to me and said, "I'm alone now, ain't I?"

That comment notwithstanding, I went home and dug my mother's acoustic guitar out of a closet and started playing obsessively -- despite the fact that the neck was a little bent so it was very difficult to keep in tune. Soon I was writing songs which proved to be emotionally therapeutic. Playing and writing definitely helped pull me out of my funk. In fact, I soon started my own band, The Atomic Enema, with my friends Jim Jackson, Mike Mazziott and, the true talent of the organization -- Nick Mazziott. We never rivaled The Click, but we all had a blast bashing our instruments and assaulting ear drums.

Director Tom Brandau with the band

The Sunday Cannons was a follow-up band to The Click. It featured Mike and Ed, and Click drummer Matt Maschal. Dean Morekas, the bass player for The Click, was the odd man out in the new group. Don't know why.

The music video below was not actually intended to be a music video. The band brought in Tom Brandau to shoot a commercial for their album Red To The Rind to run on late night television. However, they shot enough footage of the song Friends Become Flowers to actually make a music video afterwards. In the commercial, and the video, I play Mr. Melon Head. For some reason, the music of the band inspires me to tear off my head and throw it to the ground, revealing that I was also Red to the Rind.

Tom Brandau directed the video.  He was assisted by other Towson alums. Chris New shot it and Wayne Hipley edited it. Stewart Stack kindly provided the studio and the resources of Serious Grip and Electric to the production. It was a lot of fun. I was delighted they invited me to participate, and I am happy to see it resurface again.


Everyone is still playing and working. Mike Lane followed his musical muse to Minnesota where he now plays jangly guitar pop with his talented wife Kiki in The Lanes. Ed plays post-punk pop rock with his band E. Joseph and the Phantom Heart. I am happy to hear that Matt Maschal, the veteran drummer of The Click and The Sunday Cannons, has been gigging with Ed too. Director Tom Brandau is now the head of the film department at the Minnesota State University, Morehead. And me, well, I'm still red to the rind. Just don't ask me to take off my head to prove it.

I miss the 80s.

And I wish I appreciated them more at the time!

See more of my acting here:  Sean Paul Murphy: Master Thespian

Music Videos:

Be sure to check out my memoir The Promise, or the Pros and Cons of Talking with God, published by TouchPoint Press. It is my true story of first faith and first love and how the two became almost fatally intertwined. (And keep an eye out for my upcoming paranormal thriller Chapel Street.)



Here are some sample chapters of The Promise:
Chapter 7 - Mission Accomplished
Chapter 15 - Quarter To Midnight

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Monday, September 25, 2017

Sean Paul Murphy: Master Thespian

Yours truly still waiting for his star
on the Hollywood Walk of Fame
Unlike most people in the movie and/or television industry, I never had a great desire to appear before the camera. I do remember trying to get in a talent show in grade school. My friend Bob Burgess and I were big Laurel and Hardy fans, and he wrote a sketch in their vein. I played Hardy to his Laurel. We tried out for the talent show, but we lost to people lip syncing to records. (Yes, I'm still bitter about that!)  I never tried out for plays in high school. I rarely attended them either, despite the fact that I started writing them myself.

Once I started attending casting sessions as a producer at Smith Burke & Azzam, I saw just how hard how it was to be a good actor. Not only did you have to deliver the lines convincingly, you also had to know how to handle your entire body in the process.  Especially the hands. When I would try acting, I always found myself worrying about my hands.  They seemed to have a mind of their own.

Still, despite my wayward appendages, there was a time when my friends would often put me in commercials. Not surprisingly, considering my build and personality, I was usually cast as the jovial, heavyset guy. The commercials came at a rather fortuitous time in my life. Most of my commercial work was done at the dawn of the Age of Internet Dating. A couple of these long-airing spots gave the online girls a chance to see me in action on television. That was essential since the first picture I would send them of myself was the one below. (I felt if they would still go out with me after that, I had it made.)

My Internet dating photo. To quote Charlie Sheen:  "Winning!"
I didn't take my acting career seriously enough to even keep copies of all of my spots, but here are a few that I managed to find. The first one is a promo from WBFF Channel 45 in Baltimore. The spot, directed by my friend Chuck Regner, was a spoof of a popular radio station commercial which was syndicated all around the country.  He needed a heavyset guy who could dance, but he settled for me. (My dancing days were ahead of me.  That's how I met my lovely wife Deborah.)



This next commercial for Towson Towson Center, directed by David Butler and written by John Patterson, actually gave me a line.  I'm the guy who says, "You should see this place."  By the way, this spot is a good example of that hands thing I was talking about.



Director David Butler also gave me a starring role in this spot for the Adventist Healthcare System. They didn't have a harness for me to swing upside down in, so they just tied a rope to my leg. I didn't enjoy that part, but I got to keep the boots.



John Patterson wrote this spot for the Baltimore Zoo during his tenure at W.B. Doner.  This time I got to push a big ball of yarn for the big cats.



My commercial acting career ultimately petered out after I was cast in a national spot for Waccamaw stores by my friend Pam Poertner. I was my third Taft Hartley spot and I would have to join the Screen Actors Guild in order to appear in another one. I opted against joining the union. I didn't feel I could recoup the union fee without actually soliciting work, and I was too busy as a writer and editor to do that.  Of course had I known the union card could get you in the movies for free during Oscar season, I would have done it....

BTW,  you don't have to be a member of SAG to read my tale of first faith and first love and how the two became almost fatally intertwined:



My novel Chapel Street is now available! You can currently buy the Kindle and paperback at Amazon and the Nook, paperback and hardcover at Barnes & Noble.


Learn more about the book, click Here.


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