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| Marion and her mother in the living room of 21 St. Helens Avenue, circa 1987 |
Marion differs from my previous interview subjects because she never actually lived in the house. She only remembers spending a few nights there when she was very young. That said, she did spend a great deal of time at the house over the years.
This interview details a phenomenon I didn't anticipate when I began this oral history. My first book, The Promise, or the Pros and Cons of Talking with God, detailed my ability to hear the voice of God after my religious conversion. God often told me of future events that came to pass. Only one didn't -- and that was the subject of my book. What I didn't realize until now was that other members of my family were experiencing similar phenomenon by different means.
My mother claims to have heard repeatedly from a guardian angel, even before moving into 21 St. Helens Avenue. The angel would warn her of impending tragedies. My sister Jeanne claims that her first encounter with the entity at the house awakened a clairvoyance in her. I haven't had a full interview with her yet, so I do not know the parameters of her "gift." My niece Marion seems to have inherited a similar ability from her mother. That's what she talks about here, and how it intersects with events at 21 St. Helens Avenue.**
To my knowledge, none of my relatives sought this ability. It is just something they had. It seems to be an inherited trait. My mother says one of her grandmothers -- she doesn't remember which one -- was said to be "born under the veil." Medically, that means the child was born with part of the amniotic sac covering its head or face. According to folklore, babies born in this manner often have supernatural gifts. I am not endorsing this folklore. However, the number of people in our family who claim to have had these experiences seem to fall outside of any statistical norm. And it seems something worth exploring in relation to the events at 21 St. Helens Avenue.
As I said in an earlier blog, I believe experiences between people and spiritual entities are often transactional in nature. Although I no longer believe any of us triggered the entity out of some dormant or inactive state, I do believe that the intensity of the activity one experiences might be a result of how attuned the person is to the spiritual realm. This interview is an examination of that theory. Although Marion never lived at the house, her sensitivity allowed the entity to loom large in her consciousness.
Here's a clip from the interview.
Forgive me for the quality of the clip. I talked with Marion in a Google Hangout and filmed her off my computer monitor. If anyone has a better idea how to record video interviews remotely, please leave a comment below. My niece Emily transcribed the interview. It has been edited for clarity.
SEAN: So Marion, you have the distinction of being the first person we're interviewing who did not actually live at the house. But you did spend a lot time at the house during your life, is that not correct?
MARION: That's correct.
SEAN: Yes. How many nights would you say you spent at that house?
MARION: Emily and I spent the night when we were really little I think a couple of times. I really only remember maybe twice.
SEAN: And when you did spend the night there, where did you stay?
MARION: We stayed in the master bedroom. I would sleep on the left side of the bed, so facing the closet.
SEAN: Yeah.
MARION: And Emily would sleep on the other side, on the floor.
SEAN: Was your grandmother in the room with you at the same time?
MARION: She was. She had like a single bed, so we would sleep on the floor.
SEAN: You slept on the floor? They didn't have the other bed there?
MARION: No.
SEAN: Now, can you tell me your first impressions of the house and any experiences you had there?
MARION: When I was really little, I don't remember being terribly creeped out, but as I got older, it got a little creepier. Like, I remember when I was really little, we would play outside a lot, we'd play out in the front yard. Grandmom had these big yew trees in the front yard and we'd kind of like play around in there. This would be me and Natalie and Emily playing around in there and go under the porch, and I was always a little creeped out down there, and so I was really happy when she tore out the yew trees, for some reason.
We used to play like hide and seek in the house, we'd play in and out of the closets and stuff like that. I do -- Natalie brought up in her interview -- as disclosure, I did watch all of the videos, so hopefully they didn't taint my memory. But Natalie and I used to play a lot, like kind of hide and seek stuff where we'd pretend that we were sleeping on the landing, and when we got older it was kind of creepy when we kind of found out the family lore, or the neighborhood lore about the former owner dying there.
But it was always kind of a cool house when I was really little because it was really big, there were lots of places to hide. But it was once I got older that it kind of took a turn for being really creepy.
SEAN: Now, why would you say --
MARION: It was especially after the house was renovated, when Natalie moved back in. The living room for instance, was closed off, and it got kind of more alcoved shaped rooms, and that's kind of when it started to get a little creepy for me.
SEAN: Why would you say it was getting creepy? Were you aware of the stories at that time or is this more organic?
MARION: I know that we would occasionally kind of refer to the house being haunted, but I was kind of used to it, so it wasn't necessarily out of the ordinary. It just felt like it got darker. It seemed like there just weren't enough lights on. To get into the living room, for instance, I used to play in there a lot when I was really little, but then I kind of would have to like hold my breath to go in if I had to get something out of the living room. In my memory, it's always really dark, as opposed to when I was really little, it was kind of just like a normal house.
But I did know that it was supposed to be haunted, and we all kind of agreed that it was haunted, but we also had kind of had an understanding that we're not really supposed to talk about because if we talk about it, then it will make it stronger. So we would just not really talk about it.
SEAN: Now, did your mother tell you anything about the incident which sort of kind of drove her and your father from the house?
MARION: She told me about it when I was I think like a senior in high school or something, so it wasn't until I was a lot of older and had already kind of expressed that feeling uncomfortable in the house and having some experiences. But she never went into a lot of detail. She kind of just alluded to like -- she would refer to being in there and a creature coming out of the closet.
SEAN: This was the Hell Room, right?
MARION: I'm sorry?
SEAN: This was in the Hell Room.
MARION: Yes. And also we usually always called it the Hell Hole, so I can switch my jargon if you like, but...
SEAN: The younger generation called it the Hell Hole.
MARION: Yeah, so there you go. There's a little cultural change there.
But yes. My understanding was that she was in that room with my father when she was still pregnant with me. A creature came out of that closet, like one of the closets that's in there, and scared them out of the house. And she was never -- she didn't really go into detail about whether it was a dog-like creature or a cat-like creature, but I do know that it had red eyes. That's the story.
And Natalie later talked about -- I overheard her talking to one of her friends about seeing red eyes in that closet, too, but I never saw anything. I never saw any red eyes in the closet.
SEAN: Okay. So eventually you started having some sort of experiences of your own, correct
MARION: Correct.
SEAN: Could you tell us about that and how it happened?
MARION: When it came to things that I actually witnessed while I was awake, there would be things like constantly hearing footsteps upstairs. Basically no matter what floor you were on, I could always hear footsteps upstairs, sound like furniture was moving around. There was always kind of like a light murmur like there were people talking. I would always just kind of hear that going around in the background, and it was always better if there were a lot of people talking because I wouldn't hear it as much. If I, like, went up to the -- to the third floor, I think one time I went up there to get -- there was a lot of -- Grandmom used to be in a makeup club, Jafra, and so I would go in there and get some of the makeup for it to give to my friends, and so that was in your old bedroom. So when I went up in there, I would always kind of see stuff out of the corner of my eye and hear things that kind of sounded like shuffling or like sheets moving around, is kind of what it sounded like.
SEAN: You say you've heard furniture moving, but did you ever and not necessarily see it move, but become aware that it actually did move, or was this all just auditory?
MARION: It was just auditory. I never saw it move, I just kind of heard it. It sounded like somebody was upstairs kind of like pushing tables around or something like that. But I never went up and looked for it or said anything because, again, we're not really supposed to talk about it because that would make it stronger.
And kind of later, I think in 2005 or 2004, I was a freshman at MICA, and I had a friend who wanted to have sound effects for a project, for an art project, and she wanted to get sound effects of people walking on wooden floors. But we didn't really know anybody who had a wooden house down by MICA, and I was like, Hey, my grandmother has a house that has wooden floors, so we could go over there. So we went over there and it was kind of -- it was at night, and I told Grandmom I wanted to do this, and she was like, Okay, why don't I go to the store and you guys can stay here. I'll be like an hour or something like that.
And so as soon as she left, the house got really dark looking. Like, it seemed like none of the lights were on anymore. It just kind of became this, like, impending, just scary kind of malicious feeling. But I was like, that's okay, I'm wearing a cross necklace, it will be fine. And so I was just like, okay, we'll go upstairs, we'll go in the front room, which I think is what you're calling Room One, the one with the --
SEAN: Yeah, Bedroom West. It's where Pops used to sleep, right?
MARION: Yeah.
SEAN: But he was already gone, he had already died.
MARION: Yeah.
SEAN: Okay.
MARION: Yeah. But I decided to go in that room because I always felt like that one was the least creepy room. Basically I didn't want to be kicking around in that master bedroom. I think Natalie was still living there so I didn't go in her room either. But so we were just kind of walking around in there, just taping our feet walking on the floor, and we could always kind of feel like there was something, like, right behind us. And I was like, that's okay, we'll just keep going, we'll get the sound effects. I think I even said out loud, like talking to it, "We're just here to get sound effects. We're not really doing anything else."
So we walked around and she could hear like banging in the middle of the room, but I just thought it sounded like someone was on a bed, like shuffling sheets around. And so we were like, okay, we got all the sound effects. We'll just go downstairs and we'll listen back and make sure that it's okay.
And so when we went downstairs and we were listening to it, it just sounded really strange, the tape that we had made. There was like this bad hissing noise that kind of sounded like it was, like, trying to come through the tape. It was really, really scary sounding, so we just turned it off. And then Grandmom came home, and all of a sudden, like the clouds lifted and it was just like a normal empty house, and it was perfectly fine. And my friend was really creeped out but I was like that's not that abnormal for here, and we just went on our way.
So that was one -- that's kind of a long story just about a thing that I actually witnessed there. But most of the times when I would have experiences in the house, they were more psychological rather than actually ever seeing anything.
SEAN: Okay. Now this is something that I want to explore here. You claim to have some sort of clairvoyance.
MARION: Yes.
SEAN: As your mother also claims. And your grandmother claims, if you've seen the interview, that had an angel that would warn her of things also.
MARION: Yeah.
SEAN: Which is another kind of clairvoyance, if you ask me. I'm assuming your clairvoyance is something more inside you going out, that's more internal, but in the case of your grandmother, it was definitely something external coming in. And I also had similar experiences as well. I guess you would call it in evangelical Christian circles, "word of knowledge," where you get, like, a couple words, something, you know, messages, messages from God or the Holy Spirit. And this was not something we discussed amongst ourselves at all. Most people didn't even know until I wrote my book about it, The Promise or The Pros and Cons of Talking to God, now available in most quality book sellers everywhere.
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| Baby Marion with her late aunt Laura |
SEAN: Yeah, always be plugging.
So this is kind of a thing that has kind of surprised me as we started this journey of looking through the house and talking about the history. But so can you tell me how this kind of manifests itself in you, but also around what age it was and when it started?
MARION: So like what age the clairvoyance started?
SEAN: Yeah.
MARION: Or what age that Grandmom's house started getting into me?
SEAN: Well, let's say the clairvoyance first, and then Grandmom's house getting into you.
MARION: Okay, I think the most memorable, early memory of it would be I was five or so and I was in our house, sitting at the table. It was the middle of the day or something. I may have been four because I think it was -- I may have been in kindergarten or something. My mom was reading the paper and I was on the opposite end of the table, and I looked down, and on the table, across the whole table were these, like, weird kind of like wispy smoke, steam things coming up, like about 25 of them. They were about three or four inches tall. They were just kind of rising off the table. And I said to my mom, I was like, What is all that? And she was looking at and she's like, I don't see anything. And she saw that I was kind of freaking out, and she was just like, Uh, it's probably just a guardian angel or something. But I think we both kind of -- because my mom doesn't refer to that event, too. We both kind of saw it as like a -- well, it wasn't necessarily a guardian angel, but it was some sort of, kind of like a weird spirit that I was seeing, but there were multiple of them. And they were these really strange shapes that kind of looked like the -- is it caduceus? Is that what it is?
SEAN: What's that?
MARION: It kind of looks like a staff with, like, snakes around it. But then it kind of turned into this, like, human figure. It was very strange.
SEAN: So there was a human figure with it or you just saw the staff with the snakes around it
MARION: I saw -- it was sort of like a staff with snakes around, and then it turned into, like, kind of a human figure.
SEAN: Now, male or female?
MARION: You kind of see -- you have weird things that you imagine when you're a kid, but that one always kind of stood out as like a real thing that had happened. And then after that, I would see -- like, maybe starting around that same time, when I was six or so, I would see these weird like water droplets that would form in doorways and windows. And I would see it fall to the ground and I'd hear it splat, and I'd go and try to touch it and it wasn't wet and the doorway wasn't wet either.
And the first time it happened, I went and got my parents to come check it out because I thought that the ceiling was leaking, but it ended up not -- there was nothing there. And I still see that. Like, that still periodically happens. But then I recently have kind of kept an eye out for it because that's usually around -- if I see that, there's usually some other kind of ghost that I will encounter. So that was kind of an early manifestation of that, too.
This stuff is really trippy, and I don't really talk about it very much because it's pretty weird.
SEAN: Well, I'm glad you're taking the time to tell us, because I think anyone looking over at the entire phenomenon would have to look at our family and these kinds of experiences we had. Which for example, say it's not active with the people who are there now. It may be because they're not like us, like this.
MARION: Right.
SEAN: They might not have had these kind of previous paranormal or religious type of experiences. So did this mature in any way? Now, do you see ghosts and spirits or do you see like human -- do you see like ghosts or do you see spirits? And by ghost, I'm defining ghost as like human spirits.
MARION: I would say all of it. Like, I don't normally see them head-on, but I can kind of see them out of the corner of my eye, or I can kind of basically take a mental picture of it and then refer back to it and see them that way. Sometimes they're human. They're not always human.
Again, this is all kind of trippy and you know, I don't really talk about it very much, but yeah. And it has gone through various periods of being stronger or kind of being in a hiatus, but it's active still.
In fact, I was just at Josh's parents' house. I saw a thing there, too. And I kind of told Josh about it, and he was like, well, okay. He believes me, obviously, but he's kind of used to it.
SEAN: Well, Josh has had a lot of experiences like this in his past.
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| Josh and Marion |
MARION: Yeah, he has.
SEAN: Now, did this give you any sort of foreknowledge or warnings, or anything --
MARION: Yes.
SEAN: Okay. Give me an example of that, if you could.
MARION: I could usually -- I would oftentimes get a weird -- like a dream that would kind of tell me that usually, like four months from now, somebody was going to die. Usually it would be older people, so it wouldn't be that surprising. But usually I would have like a dream where a relative that I haven't seen for a while comes and talks to me, or I would have a dream where -- like with Uncle Butch, for instance. Before he died, I had a dream that he drove over to our house and said that he was really happy now and he was -- his legs didn't hurt anymore. And then -- but he obviously eventually died, but it was kind of a weird sort of vision rather than just a dream.
So I would get kind of foreknowledge that usually like a relative was going to die. I think I got foreknowledge of Emily when she was getting sick the first time, too. I would -- I can oftentimes have a dream of a place before I've been to that place and know what's going to be there.
SEAN: I think your mother has that, too --
MARION: Yeah, she did.
SEAN: -- as well. So you have this predisposition. How does it end up reacting with the house?
MARION: I often would get nightmares of Grandmom's house. Like, when I was really little, I would get nightmares all the time. But once I got older, I was kind of paying more attention to what the nightmares were, and I was trying to write them down, too. And they were always Grandmom's house, and it got stronger and stronger, that I would eventually see a thing that's following me around. It would be this, like, dark, kind of black hidden thing with like a cloak that would like follow right behind me or be right in front of me.
SEAN: Did it have eyes and a face?
MARION: Yes. It had yellow eyes, which I thought was extremely strange, because I've never before or since seen anything like that. It was a face, like I could understand it was a face because it had eyes, and it sort of had, like, a chin and everything, but it wasn't a very -- it didn't look like one of my dead relatives or like a ghost. I understood it as something much worse.
SEAN: Could you attribute any sex to it? Male or female?
MARION: Um, not really, no. It was kind of an amalgamation. I think it was trending more male, but that might just be its kind of power, kind of had more of a male-ish tone, but I didn't get the feeling that it was a ghost, so I didn't get the feeling that it was like a human. So it didn't necessarily need a gender.
SEAN: Okay.
MARION: But in these dreams, it would just follow me from room to room, always be right behind me. It would get worse and worse, and it started getting really, really bad because I couldn't sleep at all.
SEAN: Where did it get worse?
MARION: Oh, it was when I was dorming at MICA***, Maryland Institute, is what they call it. But then it would keep me up all night. I would never get a full night's sleep. I tried to run away from it in my dreams. I tried to run to the parts of the house that were newer, but then it eventually was able to seep into all those places. I'd try to run into the backyard, and then the backyard would be transformed into this huge like expressionless face, which is really trippy. But it was always this Entity that was like also there. And so yeah, and so I dreaded sleeping because it was always going to be this nightmare.
SEAN: Now, did you get the sensation that this was a guided nightmare, that it was something interacting with your mind --
MARION: Yes.
SEAN: -- or whether it was internal?
MARION: I thought it -- because for a while -- I mean, because you know dreams are supposed to be your subconscious kind of working through problems or something like that. And I kind of wrote it off as that for a while, but them it really seemed like it was something that was coming to me in my dreams, like an outside thing.
SEAN: Did it ever speak to you?
MARION: Yes. Well, a lot of times it would kind of just be hinting at, because I knew that it wanted something from me, but then sometimes in the dreams, I'd be like hiding somewhere and I'd close up a room and I'd hide in it. And then I would hear my mother's voice calling me to go outside and I'd go out and I'd see that it was it and I'd close the door again.
SEAN: So it was like mimicking your mother's voice?
MARION: Yeah. So it would mimic -- yeah, mostly my mother's voice. I also had this other dream that I was in the master bedroom and I had the door latched and something was trying to get into it, and it ended up being this horrible creature that was like made out of bones, like these gristly bones, and it smelled like rotting meat and it was just trying to get underneath the door in the master bedroom. And so that's when I kind of started being like, okay, there's something bad about this closet. Like, in real life, I was really -- I was always really afraid of that closet, eventually. Because I mean, that's what the dream was doing, too.
SEAN: So were the dream centered around the closet? W as the center of activity for it?
MARION: Sometimes it was the closet. A lot of times it was the attic. Like the Hell Hole or Hell Room, according to whatever generation you're in. Yeah, so those were kind of in my head, were the main epicenters. So it was usually this, like, huge gaping stretching mouth that was sort of the house, and it would have all these awful yellow teeth and lighting and all this kind of like horror movie stuff. But I was not influenced by horror movies for it because I was too afraid, ironically, to watch horror movies when I was a kid.
SEAN: But you never saw any sort of thing like that at the house itself on St. Helens Avenue?
MARION: No. I never saw the Entity. That's what I've been calling it. I've never actually seen it firsthand when I was there. It might be because I never really spent the night. Like I said, I could kind of hear things, I could feel things. There was like a blackness that would kind of be pervasive, but I never saw it, but it was always very clear inside my head.
SEAN: Now, you heard furniture move in my room as well, right?
MARION: Yeah, it was -- because like I said, basically everywhere you were, you could always kind of hear something thumping on the ceiling. But when I was actually in your room, I could hear like shuffling. Like something kind of being dragged around, like scooting.
SEAN: Yeah.
MARION: Like cloth, basically.
SEAN: Because I am reasonably certain that while I was still there, after my initial very active time that, through prayer, that room was sealed off. It's interesting that I left there was activity up there again.
MARION: Maybe it was just sealed off from -- well, this is speculation -- obviously, it's all speculative, but maybe it didn't -- maybe it was just sealed off from you.
SEAN: Yeah. Because other than between the mid to late '80s, when I considered it at its peak, up until the very last day, it was very quiet around me. It was still bothering people all around the house. It was just quiet around me. And I really feel bad about that because I assumed it was dormant, not doing much.
MARION: Right.
SEAN: I'm sure it was still there, but I thought it was back into a nuisance stage.
MARION: Right.
SEAN: But it never was in a nuisance stage. I haven't interviewed your mother yet, but from the beginning with her, there was no nuisance stage. It was full blown. Which is one of the reasons I'm not afraid of triggering it, because I don't think it needs to be triggered.
MARION: Right.
SEAN: And I'm not sure it can even be cast out because it seems like it potentially exists in more than one house there. If you got it out of that house, it would still be just eight feet away.
MARION: The other thing too is that even though we didn't live there, at Raspe Avenue, we would have a lot of weird stuff happen, too, that would be classified as poltergeist activity there. Like light bulbs would be unscrewed randomly or things would be flipped upside down, or things would just go missing for days at a time and then show up in a really prominent place. One time when I was in high school, because I used to do painting -- I was doing painting class, and one time I was in the basement, and I was trying to paint this still life, and this ladle that I had set up, every time I looked over at it, it would be facing directly toward me, which is annoying when you're trying to paint a still life because it's supposed to be still.
SEAN: Yeah.
MARION: So I'd keep moving it back, trying to put it in the same place, and then every time I looked over, it would move back. And then -- just like in a half second, it just kept happening over and over again. It was really spooking me out. But I mean, like --
SEAN: You didn't actually see it move, but you would like turn away and it would be moved?
MARION: It would be in the matter of me looking at my easel painting and then looking back again and it had moved. And it wasn't like it wasn't like on a wobbly table. It was on cloth, it wasn't like slippery or anything like that. And so it was kind of like, well, okay, there's another kind of poltergeist thing. And my teacher noticed that I painted that one really badly, too. So he was like, it looks like it kept moving around when you were painting it.
I recently have been also thinking about, during the time when I was in a dorm at MICA, we had a lot of ghost stuff there, too. Like, we would hear stuff on the ceiling, we'd hear paper shuffling around. I'd get this sense of foreboding. All my friends, all our roommates, would hear -- like, it sounded like one of our roommate's rooms being ransacked when there was no one in there. There would be like this sound -- it sounded like someone dropping a ball, like (makes ball bouncing sound) over and over again, all night long. So much to the effect that our RA who lived underneath us near the end of the year came up and he's like, What is happening? Why do you guys keep doing this? We're all like, That's not us. It's been happening this whole time.
SEAN: Many people heard that then? It wasn't just you?
MARION: No, it was not just me. No, everybody heard it. It was really strange. So I've always kind of thought, well, that's just because there's ghosts everywhere, but thinking back, some of those kinds of things are things that we would hear at Grandmom's house. And so I wasn't sure -- and this was around the time when I was getting the really bad nightmares, so I'm not sure if it was, like, influencing me there to the point that we were getting kind of poltergeist stuff there too.
SEAN: Well, that was going to be my next question. Do you think that the poltergeist activity was possibly the Entity?
MARION: It could have been, yeah. I hadn't ever considered it, but I've been thinking about it recently, and especially with some similar attributes of things moving around upstairs when there's no upstairs, it's just a roof.
SEAN: Yeah.
MARION: And the fact that it's always happening when I'm around and not when other people are around is kind of problematic, too, for other people.
SEAN: So it did not happen around the other people?
MARION: It was when I was there. So no one else would say, Oh, man, when you were gone, something was totally knocking stuff over in your bedroom. It was always when I was there, everybody was hearing it happening in somebody's bedroom.
SEAN: I'm not an expert and there's no science here, but they say one of the key ways you can tell whether it's a demon or a ghost is if it moves with you. If it goes other places with you it's a demon.
MARION: Right.
The interview continues here: The Haunting of 21 St. Helens Avenue, Part 17, Marion's Tale, Pt. 2
The interview continues here: The Haunting of 21 St. Helens Avenue, Part 17, Marion's Tale, Pt. 2
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| Emily, Jeanne and Marion |
Here is a clip from the interview:
Notes:
*21 St. Helens Avenue was the original address of the house when it was built. The street name and number changed over time, but I use the original address to protect the privacy of the current owners.
**Subsequent to this interview, my niece Natalie mentioned that she also experienced clairvoyant events. She did not mention them in her initial interview, but hoped to discuss some of them in her upcoming interview about her mother's death.
***Charles Immler, Sr., the son of the first owner of 21 St. Helens Avenue, also attended MICA. So did Walter Bohanan, of 23 St. Helens Avenue.
Additional blogs about the haunting:
The Haunting of 21 St. Helens Avenue, Part 1, An Introduction
The Haunting of 21 St. Helens Avenue, Part 2, The House
The Haunting of 21 St. Helens Avenue, Part 3, This Is Us
The Haunting of 21 St. Helens Avenue, Part 4, Arrival
The Haunting of 21 St. Helens Avenue, Part 5, Methodology
The Haunting of 21 St. Helens Avenue, Part 6, Clara's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 7, Clara's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 8, My Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 9, My Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 10, My Tale, Pt. 3
The Haunting of 21 St. Helens Avenue, Part 11, Natalia's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 12, Natalia's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 13, John's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 14, John's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 15, Come Inside!
The Haunting of 21 St. Helens Avenue, Part 16, Marion's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 17, Marion's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 18, Jeanne's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 19, Jeanne's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 20, Lisa's Tale
The Haunting of 21 St. Helens Avenue, Part 21, Recap, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 22, Recap, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 23, Recap, Pt. 3
The Haunting of 21 St. Helens Avenue, Part 2, The House
The Haunting of 21 St. Helens Avenue, Part 3, This Is Us
The Haunting of 21 St. Helens Avenue, Part 4, Arrival
The Haunting of 21 St. Helens Avenue, Part 5, Methodology
The Haunting of 21 St. Helens Avenue, Part 6, Clara's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 7, Clara's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 8, My Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 9, My Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 10, My Tale, Pt. 3
The Haunting of 21 St. Helens Avenue, Part 11, Natalia's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 12, Natalia's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 13, John's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 14, John's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 15, Come Inside!
The Haunting of 21 St. Helens Avenue, Part 16, Marion's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 17, Marion's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 18, Jeanne's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 19, Jeanne's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 20, Lisa's Tale
The Haunting of 21 St. Helens Avenue, Part 21, Recap, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 22, Recap, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 23, Recap, Pt. 3
My novel Chapel Street was inspired by the haunting. You can currently buy the Kindle and paperback at Amazon and the Nook, paperback and hardcover at Barnes & Noble.
Listen to me read some chapters here:
Chapel Street - Prologue - My Mother
Chapel Street - Chapter 1 - RestingPlace.com
Chapel Street - Chapter 2 - Elisabetta
Chapel Street - Chapter 3 - The Upload
Chapel Street - Chapter 4 - The Kobayashi Maru
Let's stay in touch:
Chapel Street - Prologue - My Mother
Chapel Street - Chapter 1 - RestingPlace.com
Chapel Street - Chapter 2 - Elisabetta
Chapel Street - Chapter 3 - The Upload
Chapel Street - Chapter 4 - The Kobayashi Maru
Let's stay in touch:
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