Sean Paul Murphy, Writer

Sean Paul Murphy, Writer
Sean Paul Murphy, Storyteller

Friday, November 16, 2012

Personal Letters, or, Love In The Time of Texts



Someone recently asked me if it was okay to break up with their significant other with a text message.

Ah, what is this world coming to....

If someone was significant enough to become romantically-involved with, they deserve more than a quick adios typed into a phone.

Maybe I'm just old-fashioned, but I value the written word.  I have always kept and stored away any personal letter anyone took the time to write me.  In file cabinets and cedar chests all around my house there are stacks of paper bearing the signatures and thoughts of the people who made me who I am today.

One of the things I am today is an incessant scanner.  Recently, after scanning every family photo album I could lay my hands on, I started scanning documents, starting with some letters written by my first love.  It was a fascinating experience, especially from a safe distance in time where there is no fear of rekindling old longings or lingering upon old regrets.  The first two years of our relationship stand relatively mute now, but, in our third year, she transfered to a distant college and a veritable flood of letters followed.  It was like reading a novel where you were one of the chief protagonists, but what made it really surreal is that I, the reader, looking backwards from the future, knew how the story would end, while she, the innocent writer, working in her present had no idea the relationship was ultimately doomed.

Of course, this foreknowledge of doom kept me reading between the lines.  Although I obviously remembered the outcome of the relationship, the time frame had grown hazy over time.  When did it go bad?  And why?  I started looking for the cracks.  I thought I found it in a long, agonizing letter written soon after our first significant fight as a couple, but, no, later that same week she wrote me an incredibly sweet and affectionate letter which has not been surpassed in its tenderness by anything anyone else wrote to me over the course of the last century.

That's the beauty of letters.  Spoken words, no matter how kind and sweet, can be lost in the fog of memory, but the written word remains.   I have discussed many kinds of writing on this blog, but, as you get older, the personal letters you've written and received may end up holding more emotional value than that script you wrote that got made into a movie.

I was always a bit of a letter writer myself.  In fact, in the unlikely event I would achieve enough notoriety to warrant a biographer, he or she would probably learn all they would need to know about the inner workings of my mind and heart from letters I wrote to the woman above and two others who followed her.  (If they kept the letters, that is.)  The next person on the list was not a romantic-entanglement, but rather a friend from the local film community.  Her sister was sick, and she decided to move to Atlanta to care for her.   In this self-obsessed age, I found her compassion and selflessness nothing short of heroic.  Knowing how difficult her life would be, I wanted to give her a distraction.  I started writing her to keep her informed of local film business gossip and perhaps some words of encouragement now and then.  After the death of her sister, my friend was soon traveling the world making movies while I was enjoying the first stage of my career as a screenwriter.  She ultimately became a trusted advisor and consigliere and my words followed her wherever she went, but the days of stamps slowly disappeared and the era of email had begun.

The birth of email coincided with rise of the internet dating.  The third person to receive an unending stream of missives from me was a farm girl with two delightful sons who I met on a singles board on AOL -- back when AOL was cool.  We had a long fascinating romance/friendship that took many twists and turns over the years.  Once, in a moment of weakness, I asked her to marry me, and, in a moment of even greater weakness, she actually said yes.  The engagement itself could have hardly been briefer, but the road we traveled is completely documented.  Ironically, we both married our respective spouses within a few weeks of each other.  We toyed with the idea attending each others' weddings, though I don't think our respective spouses thought highly of the idea.  We remain friends, if not physically, in the primordial mists of the cyber world where we met.  Thanks, Facebook!

Upstairs tucked away in a cedar chest I have some manila folders crammed with both sides of our email correspondence.  That to me, is the major upside of internet relationships.  You can easily keep a record of both sides of the conversation.  Also, it was a little easier to avoid some fights in a relationship borne of email.  If you had a problem on a date, you could express your problems in an email.  The cyberwall gave you the distance to clearly and as dispassionately as possible discuss whatever issue had arisen, and, hopefully, resolved it without any raised voices and thoughtless words before you saw each other again.  It actually worked sometimes.  What I didn't like about internet relationships, and the emails that fuel them, is the sense of false intimacy.

It seemed to me, as I was dating women from the internet, that sometimes it seemed like a race to see who could surrender the most intimate details of their life first.  You would hear about their troubled childhoods, failed marriages and broken hearts in excruciating detail.   This flood of information would definitely give you the illusion of intimacy, but not the reality.  Intimacy is something that needs to be earned over time, not poured out freely like a glass of water.  Something cheaply gained is not held in much value.

Then there's the lies.  What is it about the computer that makes people think they can get away with bald-faced lies.  You might send that twenty-year-old picture, but eventually they're going to see the real you.  Fortunately, I didn't have that problem.  At the height of my internet dating period, women definitely knew what they were getting when they finally met me because I was appearing a number of local television commercials as an actor -- like in the one below for WBFF Channel 45 directed by Chuck Regner.


Yikes, right?

Some people were still willing to see me after that.

There was one email relationship that I often think back upon.  I met her on the singles board on AOL.  She wasn't really looking for romance.  Just online companionship.  No pictures were ever sent or received.  Or real names -- well, I gave her mine.  She never gave me hers.  She claimed to be the owner of a large computer contracting company based in the DC suburbs.  "Beltway Bandits," is what my father used to call them.  She claimed to have met my father, a systems analyst for the Social Security Administration, who often worked on contracts and bids, but she didn't want to talk about work.  She wanted to talk about life.  Or what was left of it.  She claimed to be dying from cancer and just wanted to talk to a kind stranger in a commitment free environment.  Our email conversation lasted about two months.  Then I got a final email under her name from a woman claiming to be her personal nurse.  She said my correspondent had died, and she had been instructed to inform her online friends.

So that was that.

I often wondered about that woman.  Was she even really a woman?  Or was it some guy playing with my mind.  Was it just a sick game?  Or was it really the last emotional gasp of a woman on the verge of eternity? 

I'll never know.

But I do have our correspondence in a manila folder backed away in a cedar chest or a file cabinet somewhere around this house.

One day it might be the basis of a short story or perhaps a novel.  (Not a screenplay.  Too cerebral.  Not enough action.)

At the very least I am possibly perserving a human being's final thoughts.

My advice:  Write to people.  Often.  And keep everything people take the time to write to you.  Thirty years from now an old letter might bring a needed but unexpected smile.

And write something more substantial than a text message.

How much joy will you get twenty years from now with a text that reads:  CU@8.

Write some letters.  Personal ones.

(At the very least, it will help you find your true voice as a writer.)

Personal Musings:

To get the whole story of my life, check out my memoir:


Follow me on Twitter:  SeanPaulMurphy

Saturday, October 20, 2012

"The Encounter" online review


How does one find a home in SeanPaulMurphyville?  Easy, post something nice about Sean Paul Murphy.

This online review by Zack Lawrence is mostly positive.  However, I decided to repost it here because of something he said he didn't like about the film.

The one thing Lawrence hated about the film was the name of the our Devil character, Officer Deville.  He thought it was very heavy-handed to give him the name Deville.  Then, we made matters worse by having a character spell out the name later (D-e-v-i-l, hey!)  in case someone incredibly dense missed it.  He thought it was somewhat insulting to the audience.

I couldn't agree more.

I just want to say that Tim and I did not name the character Deville.  Satan has been given so many names over the years by so many cultures that we had a wide field to choice from.  If there were sequels, we would use a different one in each film.

The character's name was changed on the set.

He is also named Deville in the sequel.  (In that script, he also had another name.)

He's still played by Kass Connors, and that's alright by me.

Still, despite that small quibble, go and see The Encounter.


My novel Chapel Street is now available! You can currently buy the Kindle and paperback at Amazon and the Nook, paperback and hardcover at Barnes & Noble.


Learn more about the book, click Here.

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Saturday, October 13, 2012

My Premature Memorial Video

It has now been over a year since my life-altering near death experience.   Not only am I still alive, but I have also mostly recovered from a longterm and potentially fatal illness.  The video below is a product of those less certain times.

I often make little memorial tributes to my late relatives.  I posted my tribute to my father here on this blog.  When I was very sick, my wife encouraged me to recover by saying that no one would be able to make a memorial tribute to me.  So I made one for myself.  Just in case....

My wife thinks it is too glib.  But here it is:


Personal Musings:

To get the whole story of my life, check out my memoir:


Follow me on Twitter:  SeanPaulMurphy


Tuesday, August 28, 2012

"Marriage Retreat Special Edition" now in Walmart


Nothing says you're going to get paid points than seeing your little independent film lining the shelves at Walmart.

Here's the synopsis from Amazon:  When a group of best friends decide to go to a marriage retreat in the mountains for no deeper reason than to relax and have a little fun, they discover the true state of their marriages and how far apart they have drifted. Once there, Dr. Sullivan (Jeff Fahey "Lost" "Machete") and his wife Katrina (Victoria Jackson "Saturday Night Live") challenge them to confront their own sin to heal their relationship issues through some rather unconventional methods grounded in Biblical principles. Now with their marriages unraveling, the couples struggle to resolve their issues when relying solely on their own strength. When it seems like all hope is lost, true love is revealed and they soon discover it's not what they are missing in their relationships but who. Ultimately, they begin their journey finding their way back to the ONE they love.

Here's the trailer:


Friday, July 13, 2012

RIP: Richard D. Zanuck



The famous producer Richard Zanuck died and I want to express my condolences.

He was one of the most successful producers in modern Hollywood.  His credits include The Sting, Jaws, The Verdict and Driving Miss Daisy. 

I never met him, but he was very helpful to my career.  My agent, Stu Robinson, who is now also deceased, sent him my script "The Fourth Mrs. Jones" and, although he didn't buy it, Dick sent a very nice rejection letter back praising my ear for dialogue.  Stu sent me the letter.  It hung on my wall for years.  Whenever I sent out a pitch letter, I would always use his quote.  It opened doors for me.

Thanks.

"The Fourth Mrs. Jones" was the biggest near miss of my early career as a screenwriter.  It was to be sold to the producers of "Dead Poets' Society."  It was to be their follow-up film.  The deal was negotiated.  I was going to make a great deal of money.  The papers were to be signed on a certain Friday, but the deal fell apart at the last second.  Never heard why.

The script was one of my favorites.  I am currently undertaking a page-one rewrite.

I am sorry Dick Zanuck won't be there to read the rewrite.

Rest in Peace.

And thanks for the boost and the encouragement.

Be sure to check out my memoir The Promise, or the Pros and Cons of Talking with God, published by TouchPoint Press. It is my true story of first faith and first love and how the two became almost fatally intertwined.



Here are some sample chapters of The Promise:

Chapter 7 - Mission Accomplished
Chapter 15 - Quarter To Midnight

Be sure to check out my novel Chapel Street. It tells the story of a young man straddling the line between sanity and madness while battling a demonic entity that has driven his family members to suicide for generations. It was inspired by an actual haunting my family experienced.

You can buy the Kindle and paperback at Amazon and the Nook, paperback and hardcover at Barnes & Noble.


Learn more about the book, click Here.

Watch the book trailer:

  

Listen to me read some chapters here:


Read about the true haunting that inspired the novel here:
The Haunting of 21 St. Helens Avenue, Part 1, An Introduction
The Haunting of 21 St. Helens Avenue, Part 2, The House
The Haunting of 21 St. Helens Avenue, Part 3, This Is Us
The Haunting of 21 St. Helens Avenue, Part 4, Arrival
The Haunting of 21 St. Helens Avenue, Part 5, Methodology
The Haunting of 21 St. Helens Avenue, Part 6, Clara's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 7, Clara's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 8, My Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 9, My Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 10, My Tale, Pt. 3
The Haunting of 21 St. Helens Avenue, Part 11, Natalia's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 12, Natalia's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 13, John's Tale, Pt. 1 
The Haunting of 21 St. Helens Avenue, Part 14, John's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 15, Come Inside!
The Haunting of 21 St. Helens Avenue, Part 16, Marion's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 17, Marion's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 18, Jeanne's Tale, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 19, Jeanne's Tale, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 20, Lisa's Tale
The Haunting of 21 St. Helens Avenue, Part 21, Recap, Pt. 1
The Haunting of 21 St. Helens Avenue, Part 22, Recap, Pt. 2
The Haunting of 21 St. Helens Avenue, Part 23, Recap, Pt. 3

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Thursday, July 12, 2012

"Sarah's Choice," Part 2, The Writing



Soon after Tim and I were unceremoniously fired off "In the Blink of An Eye," we got an email from our glorious leader David A.R. White.  They wanted to produce a pro-life film.  And they wanted us to write it.

The initial producer, Jeff Peterson, a very successful LA restauranteur, had just seen a famous actress on CNN talking on the subject of abortion.  Jeff was infuriated because he felt she was making factually inaccurate statements and no one on the show questioned her words.  Jeff wanted to produce a film on the subject.

I, strangely, had always wanted to write a film on the subject as well.  I had another idea about a local priest who is given a parish where the previous priest had increased attendance by revving up a tremendously passionate pro-life movement.  Unfortunately, a series of clinic bombings began in the wake of the movement.  Everyone, the police and diocese itself, suspect that the bomber(s) are part of the parish.  The bishop gives the new priest the assignment of defusing the situation and convincing the bomber(s) to surrender themselves to the police -- or at least stop.  Despite the controversial subject matter, the film was would fall in the priest as detective mystery genre.  The film would have given me the opportunity to discuss the pros-and-cons of the pro-life movement, and what I believe is the proper Christian perspective.  All while telling an exciting, suspenseful story.

Abortion is a very passionate subject, and I must admit that I always approached it philosophically, rather than religiously.  Granted, I am a product of twelve years of parochial schools.  (Shout out to my homeboys at St. D., and Archbishop Curley!)  However, despite my post-Roe-v-Wade education, I don't ever remember hearing the subject of abortion ever discussed in religion classes.  Or any classes for that matter.  Granted, I might not have been paying attention.  As the photograph below would indicate, there was very little prospect of me getting a girl pregnant, intentionally or unintentionally, during that period.  My study of abortion began as a result of my German language classes.

The Curley Boy

I took three years of German.  Sadly, my school didn't offer Italian or Latin.  Just French, Spanish and German.  Everyone said Spanish was easier but boring.  The manhood of everyone who took French was suspect.  That left German, which was said to be the hardest but coolest language.  Naturally, I went for the coolest.  (See photo above.)  Plus, both of my grandmothers were half-German.  My grandmother Margaret's family, the Fabers and Engels, came from Allenbach, Prussia.   My grandmother Rita's family, the Rosenbergers and Fleckensteins, came from Krombach, Bavaria.  This was a chance to learn a little something about my roots.

German class was cool until the third year.  Then we started dealing with the Holocaust.  We watched all those depressing documentaries and films.  I lost my taste for the German language, but I became quite obsessed with the Holocaust.  I couldn't believe that a civilized, educated society could perpetrate such a horror.  My interest became focused on German medical ethics, and how the Nazis turned doctors from healers into executioners.  It was a horrifying progression.  To me, the error came in giving the government, or individuals, the right to decide what lives had value.  I believe that all human life has inherent value.  No government or organization or individual had the right to declare one person more valuable than another.  A Mozart or Einstein might have more to offer society than a person with Downs Syndrome, but they are no more human.  No more valuable.  No more worthy of life.  To quote Thomas Jefferson, that hypocrite slave-owner, "All men are created equal."  To me, abortion was the first step on the slippery slope of assigning comparative value to human life.  Does this mean I think abortion is the American Holocaust?  No, that's a bad analogy.

My understanding of abortion remained somewhat philosophical until I actually began to meet women who had had abortions.  Some of whom were people I would have never suspected of having one.  Some of these women were heavily burdened with guilt. Others didn't regret their decision, but were none the less haunted one way or another by the decision.  I knew one thing for sure.  I wasn't going to put myself in a position where I demonized these women as heartless or killers -- either in my personal life or my work.

Jeff Peterson had written the original treatment for the film, which dealt with two journalists, a man and a woman, on a Point/Counterpoint-style opinion program.  The producer of the show wanted them to discuss the subject of abortion.  He assigned the woman to take the pro-life perspective.  She, of course, would have preferred the pro-choice position, but, she learns the evils of abortion as she studies the pro-life position. 

That was certainly a serviceable enough plot.  However, Tim and I didn't feel it would grab the heart of the viewer.  We immediately proposed a counter-story, one in which a woman has a series of three visions of the her unborn child and herself through the years, ala, Dickens' A Christmas Carol. We felt that would have more emotional impact.  Also, the mood in the country concerning the abortion debate had changed dramatically in recent years, especially among women.  The majority has gone from pro-choice to pro-life.  Most people are crediting ultra-sound technology.  Women have a hard time aborting something they can see and identify as being alive and human.  Therefore, Tim and I wanted our hero to see and interact with her child.  However, unlike the Dickens' story, each of the visions originally had two parts.  In the first part, we would see Sarah with her child.  In the second part, we would see Sarah's life without the child.  In the those parts, we tracked her growing success in business, but the increasing emptiness in her life.

Tim and I were quickly given approval to follow our instincts.  Quickly was the operative word.  It was already around Thanksgiving and they wanted to shoot the film in early January.  And, since Hollywood tends to close down during the last two weeks of December, we had to be casting within two weeks.  This was the quickest first draft Tim and I ever produced.   The notes came back equally quickly.  The second half of the visions were deleted.  The miraculous Christmas card was added.  Sarah was put under more financial pressure in order to justify her contemplation of aborting the child.  (Even more heavy-handed financial pressure was placed on her in revisions made without Tim and I.)

Before we had completed the revisions, we heard Rebecca St. James had been cast as Sarah.  I was familiar with her work as a singer, but not really as an actress.  I had seen her in Rich Christiano's film "Unidentified," but she didn't have enough to do in that movie to gauge her as an actress.  However, I watched all of her videos I could find and she seemed to be able to comport herself very well on film.  I was glad we got her.

Tim and I also heard that Brad Stine was cast as Uncle Clay.  We were both happy about that.  We were very familiar with his work and knew he would make the most of the role.  In fact, Tim and I had nearly written a starring vehicle for him the previous year, but it didn't work out.  We were later hired to write another starring vehicle for him which has yet to be produced.  A pity.  It's a great script.

The big question that remained was who was going to direct.

Tim and I met with producer David A.R. White, as well as Michael Scott, Cary Scott and Kevin Downes, in Washington, DC., at the Vietnam Memorial Wall while they were filming the ending of the still unreleased film "To The Wall."  Tim took his camera and shot some stills for the film.

David A.R. White, yours truly, Cary Scott, Kevin Downes,
Tim Ratajczak and our 16th President Abraham Lincoln.

Under direct questioning, David hemmed and hawed about who would be directing the film.  Tim and I feared it would be Chad Kapper.  We weren't happy about it since we had been fired off the last film we had worked together on.  To throw us off the scent, David actually intimated that he was going to direct "Sarah's Choice" himself.  However, when he mentioned that we would be shooting the exteriors in Canton, Ohio, we knew Chad would be directing the film since that's where he lived.  And sure enough.  Soon it was announced that Chad was on the project.

Chad read the script and wanted ten changes.  I had to laugh.  Eight of the things he wanted to change were things Pureflix partner Byron Jones had added to the script.  Good luck getting rid of them.  We only found ourselves in conflict with Chad concerning the visions.  Tim and I wanted the visions to begin with Sarah's child being old enough to speak.  Tim wanted each of the visions to end with the daughter, Daisy, about to say "I love you," but never finishing the words.  Chad wanted to the visions to begin with Daisy as a newborn, which ruined that theme.  The decision ultimately went Chad's way.

Actually, despite our initial misgivings, Chad wasn't very difficult to work with at all.  Chad was an experienced commercial director.  He was more opinionated and sought more control than any of the other directors Tim and I had worked with at PureFlix.  I had a very frank discussion with him prior to the shoot, explaining the roles of the previous directors we had worked with.

In film school, they teach something called the auteur theory which argues that the director is the author of a film and has more control over the end product than anyone else.  That's hardly the case in the real world.  PureFlix is a producer-oriented company.  The producers call the shots.  I explained that to Chad, and told him that he could expect the film to be taken away from him in post.  That comment would prove to be very prophetic indeed.

To be continued.

Sarah's Choice, Part 1, In The Blink of an Eye
Sarah's Choice, Part 2, The Writing
Sarah's Choice, Part 3, The Shoot
Sarah's Choice, Part 4, Post and Beyond

Read about the making of my other features:

21 Eyes
Hidden Secrets
Holyman Undercover
The Encounter

Other Faith Based Writing Blogs:
Hidden Secrets
Holyman Undercover
Sarah's Choice
The Encounter
Building The Faith Based Ghetto
God Told Me To Write It
Enter The Haters
Zach Lawrence and the End Times Quandary

Check out my memoir, The Promise, or the Pros and Cons of Talking with God, published by TouchPoint Press. It is my true story of first love and first faith and how the two became almost fatally intertwined.


Here are some sample chapters of The Promise:

Tuesday, June 19, 2012

Father's Day

Let me take a little time away from my business promotion to put up a little tribute I made to my late father Douglas Ernest Murphy, Sr.



Obituary from the Sunpapers, originally published March 17, 2003:Douglas E. Murphy Sr., 61, Social Security analyst

Douglas E. Murphy Sr., a retired systems analyst for the Social Security Administration, died Wednesday of complications from pancreatic cancer at Joseph Richey Hospice in Baltimore. The Hamilton resident was 61.

Born in Scranton, Pa., Mr. Murphy moved with his family to Baltimore when he was 10.  He graduated from City College in 1959 and started to work for the Social Security Administration. He also attended night school at the University of Baltimore School of Law, where he graduated magna cum laude in 1966, his family said. Mr. Murphy's arrival at the federal agency coincided with its early push to computerize. After passing an aptitude test, Mr. Murphy joined the automation effort, beginning a long career as a programmer and systems analyst.

Although he enjoyed hobbies such as gardening, golf and skiing, Mr. Murphy's relatives say he spent most of his time at, or thinking about, his job at the SSA.  "He should have been part of the cornerstone," said brother Brian Murphy of Baltimore. Mr. Murphy retired from the agency in 1999.

Services were held Saturday.

In addition to his brother, Mr. Murphy is survived by his wife of 43 years, the former Clara Protani; three sons, Douglas Murphy Jr., Sean Murphy and John Murphy, all of Baltimore; a daughter, Jeanne Coe of Baltimore; his mother, Margaret Murphy of Baltimore; three brothers, Paul Murphy Jr. of Hampton Roads, Va., Richard Murphy of Middle River and Kevin Murphy of Baltimore; two sisters, Sharon Sartor of Willingboro, N.J., and Carolyn Dabirsiaghi of Glen Arm; and three grandchildren.